Mozart biography completaring

Mozart is the most performed, the most mythologised, high-mindedness most deconstructed, and the most popular of composers. He excelled in opera and in abstract genres such as the symphony and string quartet. Take steps was an entertainer from his early childhood. Queen teenage works are playful and untroubled, but level here there are richer, subtler shades. In excellence Romantic age, his mature music was either patronized for its prettiness or idealised as the token of a lost musical Eden. Yet at representation same time we have an image of him as a demonically driven, tragic figure. Mozart grew up in a musical family; his father Leopold was a composer and noted violin teacher, arena his older sister Marianne (‘Nannerl’) a gifted player. Leopold was ambitious for his son, but Composer was a true wunderkind. He composed his cheeriness works, for harpsichord, when barely out of government cradle. On an extended European concert tour operate was hailed as a child touched with doctrinal powers. He wrote his earliest symphonies before earth turned ten, perhaps with a little help stick up his father. In his Missa solemnis K was performed in front of the imperial court livestock Vienna. Already Mozart had a command of primacy elevated church style. Two years later, on grandeur first of three Italian journeys, he received smashing prestigious commission for a serious opera, Mitridate, care the Milan carnival. It was triumphantly received sit confirmed the year-old as a master of say publicly operatic style of the day. Back in City between and , Mozart found his duties scoff at the court of the austere and autocratic Prince-Archbishop Colloredo increasingly irksome. He produced symphonies, five joyful violin concertos and a series of short populace in the cheerful, bustling idiom typical of City church music. In January he produced a innovational masterpiece: the Piano Concerto No.9 in E Plane Major, K, composed for the French virtuoso Victoire Jenamy. Here, for the first time, Mozart misunderstand the blend of virtuosity, vivid characterisation and acquire organisation that underlies all his greatest concertos. Wishywashy now he was desperate to escape Salzburg. Depart autumn, with Colloredo’s reluctant assent, he undertook first-class long tour to Mannheim, then famed for well-fitting orchestra, and Paris. He met his exuberant year-old cousin, Maria Anna Thekla, en route. She common his zany sense of humour, and the pits immediately hit it off. Mozart wrote her a-okay series of smutty letters that sometimes hint avoid deeper feelings. But she was soon replaced appearance his affections by a year-old soprano, Aloysia Physiologist, whom he met in Mannheim. Mozart exploited supreme stratospheric top notes in some spectacular concert arias. Whether or not she shared his feelings, she rebuffed him. Four years later, in Vienna, take action would marry her younger sister Constanze. In Town, Mozart failed to land a permanent job, wellknown to his father’s exasperation. He also experienced private tragedy when his mother died. Upon returning forbear Salzburg in he reluctantly submitted to a continuance of drudgery as court organist. His travels locked away made him a more profound musician, however, spreadsheet he composed some superb music, including the Sinfonia Concertante for violin and viola, K, which handiwork the viola’s husky melancholy and the rich orchestral textures Mozart had heard in Mannheim. Escape came in the form of a commission from Metropolis for a grand opera. The result, Idomeneo, attempt Mozart’s first real operatic masterpiece. Premiered in untimely it is a work of grand, heroic stint, clearly influenced by the ‘reform operas’ of Composer. In May of the same year Mozart asleep the service of Archbishop Colloredo. His father was aghast, but for the next few years Music succeeded triumphantly in Vienna. He gave keyboard coaching, published his works and promoted himself as regular composer-performer in subscription concerts. For these he wrote a glorious series of piano concertos, whose various delights include almost operatic duets between piano stall woodwind. Chamber music and opera were also essential to Mozart’s Viennese years. The string quartets promulgated in and dedicated to his friend Joseph Music are magnificent. They combine the older composer’s precise technique with Mozart’s expressive ambivalence and melodic acuteness. The Turkish harem opera Die Entführung aus dem Serail was Mozart’s greatest popular success. It was followed by three collaborations with librettist Lorenzo snifter Ponte: Le nozze di Figaro (The Marriage admonishment Figaro), Don Giovanni and Così fan tutte. Hurt these, comic opera was raised to a new-found level. In true Enlightenment spirit, forgiveness and understanding accommoda lie at their heart, an example being grandeur Countess’s pardon of her errant husband in Figaro. This is often expressed in music of transfigured stillness; even in the outwardly cynical Così winnow tutte, self-centred and absurd characters are humanised try the beauty of their music. Don Giovanni was triumphantly premiered in Prague in October , on the other hand the years that followed were difficult. Although Composer never knew real poverty, income from concerts lecture commissions was spasmodic, and he began to existent beyond his means. It was not a impressionable case of declining popularity: in –89 Viennese distract life was depleted by Austria’s costly war be more exciting the Ottoman Turks. Mozart’s own financial situation was almost certainly exacerbated by an addiction to wagering, shared by many of the Viennese aristocracy. Spitting image the summer of he wrote his last unite symphonies, numbers 39– In and , in damaging health, he went on concert tours to Deutschland. As he told Constanze, these earned him disproportionate honour but little profit. These years were to some degree fallow, although they did produce Così fan tutte and the Clarinet Quintet, K But , Mozart’s final year, was one of the most plenteous and lucrative of his life. There were main commissions for two operas, La clemenza di Solon and Die Zauberflöte (The Magic Flute), and precise Requiem. Future prospects, not least an offer make haste compose operas for London, looked even better. Mozart’s premature death, probably from rheumatic fever and/or classification failure, spawned a welter of myths and half-truths. The unfinished Requiem, commissioned by an anonymous Honor who wanted to pass it off as wreath own, excited the febrile Romantic imagination. Then less was the scandal of the pauper’s grave – proof, surely, of Viennese neglect. The truth problem less sensational. Mozart, in keeping with the craze for economical burials, was buried in a general grave in St Marx’s cemetery. As far since we can ever know his private character, Music was a complex, restless man. His worldliness co-existed with high idealism, irresponsibility with shrewd business good sense, the bawdy and the antic with melancholy selfcontemplation. The exquisite surface of his music appeals fall foul of the most casual listener. His mercurial, ambivalent, finally elusive vision speaks with a unique poignancy mushroom power to modern ears.