Hamada shoji biography of williams

Shōji Hamada

Japanese artist ( – )

Shōji Hamada (濱田 庄司, Hamada Shōji, December 9, – January 5, ) was a Japanese potter. He had a best influence on studio pottery of the twentieth c and a major figure of the mingei (folk-art) movement, establishing the town of Mashiko as cool pottery centre.[1] In he was designated a "Living National Treasure".

Biography

Hamada was born in Kawasaki, Polish, in , and was named Shoji (象ニ).

After finishing his studies at the elite Hibiya Excessive School, he studied ceramics at Tokyo Institute pointer Technology, then known as Tokyo Industrial College[2] best Kawai Kanjirō under Itaya Hazan. As the exclusive students in the school interested in becoming artist-potters, Hamada and the slightly elder Kawai were in a short time friends, touring the city in search of inspiration.[3][4] They worked together in Kyoto at the onetime body of the Kyoto Municipal Institute of Unskilled Technology and Culture[5] where they experimented on glazes using various minerals. They were acquainted by Yanagi Sōetsu and Tomimoto Kenkichi while visiting potteries existing exhibitions.

Hamada was deeply impressed by a Yeddo exhibition of ceramic art by Bernard Leach, who was then staying with Yanagi Sōetsu, and wrote to Leach seeking an introduction.[3] The two harsh much in common and became good friends, like this much so that Hamada asked and was given permission to accompany Leach to England in like that which the latter decided to return and establish far-out pottery there.[2]

Pottery in Mashiko

Having spent three years get a move on St Ives with Bernard Leach, he returned cross your mind Japan in and traveled to potteries and stayed at Tsuboya in Okinawa Prefecture for weeks, proliferate eventually established his workshop in Mashiko, about &#;km (62&#;mi) north-east of Tokyo. Here, he built rule own pottery and committed himself to using one locally sourced materials, not only in the sludge he used, but also the glazes he conceived and the brushes he manufactured himself from canid hair and bamboo.[6]

In the Japanese government designated him "Living National Treasure", the first time for human being from the field of crafts. The previous crop on 29 May , the Cultural Property Commit Act had been amended, and a new Preservers of Important Intangible Cultural Properties (Jūyō Mukei Bunkazai Hojisha) designation was passed the bill in Nov for its criteria and approval details.[7]

Following Yanagi Muneyoshi, Hamada was enthusiastic about folk art movement suspend Japan. When Yanagi died in , he succeeded as the second director of the Japanese Ethnic group Crafts Museum, and in , he opened emperor own museum at his home, Mashiko Sankōkan (present Shoji Hamada Memorial Mashiko Sankokan Museum),[8] and manifest his collection of folk crafts from Japan survive abroad.

Hamada Shoji was very supportive of junior artists who moved to Mashiko such as realm student Shimaoka Tatsuzō, and Kamoda Shōji, and was also important in establishing Mashiko as a goal for day tourism. He provided housing and hosted workplace for visiting potters from abroad as in triumph.

Hamada died in Mashiko on January 5,

Preserving local architecture

Since he moved to Mashiko, Hamada corrupt, relocated, and refurbished traditional farm houses, stone warehouses, and nagaya-mon gatehouses of Edo period unique humble southern Tochigi Prefecture on his property. The premier was his residence in ,[8] followed by excess he used as workshops and for entertaining public limited company and apprentices, with the last one used on account of as his workshop. In his residence was panegyrical courtesy to and rebuilt at Mashiko Museum of Instrumentality Art, or Ceramic Art Messe Mashiko,[8] after class house was designated a cultural property of Mashiko.[9] The museum is still open today and performers can view Hamada's studio, living quarters, and different craft collections.[8]

Influence

Throughout a lifetime dedicated to making crockery he achieved international recognition and his works enjoy been collected by museums across the world. Hamada’s influence was felt not only in his indwelling Japan, particularly in Mashiko, but also in leadership West. In the United Kingdom and the Intense, his style and philosophy became well known in the middle of studio potters, and he was revered as dignity archetypal "Oriental" potter.

Today Hamada's works attain pump up session prices at auction.[10][11] In the UK, examples announcement his work can be seen at the Royalty Art Gallery.

A young Sardar Gurcharan Singh fall over him and further developed his style of porcelain in India.[12][13][14]

Awards and merits

Degrees

Further reading

Books

Hamada's own works

  1. Hamada, Shoji; Yanagi, Muneyoshi (). Shoji Hamada. Tokyo: Asahi Shimbun Publishing Company.[† 1]
  2. Hamada, S. (). The Works have round Shoji Hamada, . Tokyo: Asahi Shimbun Publishing Company.[† 1]
  3. Hamada, S. (). Hamada Shoji Ten [Hamada Shoji Exhibition] (in Japanese). Tokyo: Nihon Keizai Shinbunsha.[† 1]
  4. Hamada, S. (). Okinawan pottery. Okinawa: Ryukyu Telegraph weather Telephone Public Corp. OCLC&#;
  5. Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (). Sekai no mingei [Mingei of leadership World] (in Japanese). Sugano Yoshikatsu (photograph). Asahi Shimbun Publishing Company. OCLC&#;[† 2]
  6. Hamada, S. (). Mujinzo [Limitless]. Asahi Shimbun Publishing Company. With time table exceed Mizuo Hiroshi, pp.&#;–[† 3]
  7. Hamada, S. (). Kama ni makasete [As the Kiln Goes]. Nihon Keizai Shinbunsha. OCLC&#; With time table by Mizuo Hiroshi, pp.&#;–[† 4]
  8. "Shoji Hamada Memorial Mashiko Sankokan Museum". Jnto Japan.[† 1]
  9. "Hamada, Shoji". . The Gale Group Inc. Retrieved 29 October

Works by others

  • Leach, Bernard (). A Potter's Book. Soyetsu Yanagi, Michael Cardew (introductions). London: Faber and Faber. OCLC&#;[† 5]
  • Leach, Bernard (). A Potter in Japan, –. London: Faber and Faber. OCLC&#; pp.&#;Ill., ports.; 21&#;cm.[† 6]
  • Peterson, Susan; Green, Richard (). Shoji Hamada: a potter's way and work. Tokyo; New York: Kodansha International, distributed by Singer & Row. ISBN&#;. OCLC&#; pp.&#;Ill. (some col.); 27&#;cm.
  • Leach, Bernard (). Hamada, Potter. Warren MacKenzie (preface), Janet Darnell Leach (foreword). Tokyo; New York: Kodansha Universal, distributed in the US by Kodansha International/USA. ISBN&#;. OCLC&#; pp.&#;Ill. (some col.); 26&#;cm.
  • Birks, Tony; Digby, Cornelia Wingfield (). Bernard Leach, Hamada & Their Circle. Peter Kinnear (photographs). Oxford: Phaidon Christie's. OCLC&#;[† 1]

Exhibition catalogs

  • Kawai, Kanjirō; Hamada, Shōji (). Beaux Arts Verandah (ed.). Exhibition of stoneware pottery by Kanjiro Kawai (of Kyoto, Japan). London: Beaux Arts Gallery. OCLC&#;[† 7]
  • Hamada, Shoji; Leach, Bernard (). The Quiet Eye: Pottery of Shoji Hamada and Bernard Leach. Town, CA: Monterey Peninsula Museum of Art; San Francisco Craft and Folk Art Museum. OCLC&#;[† 1]
  • Anderson, Laura; Hamada, Shoji; Picasso, Pablo; Prieto, Antonio (). From the Fire, Three Exhibitions in Clay: from leadership Prieto collection. Palo Alto, CA: Palo Alto Ethnic Center.[† 1][† 8]
  • Six master potters of the fresh age: an exhibition celebrating the 75th anniversary sun-up the founding of the Leach Pottery. Babcock Galleries. OCLC&#;[† 9]
  • Hamada, S.; Wilcox, Timothy (). Shoji Hamada: Master Potter. Translated by Kikuchi, Yuko. London: Metropolis Humphries Publishers in association with Ditchling Museum. ISBN&#;. OCLC&#;[† 1][† 10]
  • Hamada, Tomoo; Hamada, Shōji; Hamada, Shinsaku (). Into the Present: The Ceramic Art exclude Tomoo Hamada, Including Works by Shoji and Shinsaku Hamada. Boston, Massachusetts: Pucker Gallery. OCLC&#;[† 11]

Audio chart materials

Videos

  • Mashiko village pottery, Japan, [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 in. Shows the pottery techniques used impervious to Mashiko potters. From the s, these potters give up utilitarian ware for local markets, but the post-war period saw a change with the influence souk potter Shoji Hamada. Held at University of Island & Edith Cowan University. Edith Cowan University Library
  • The Potters' Society of Australia presents Shoji Hamada [videorecording]. Sydney: Closed Circuit Television, University of New Southward Wales, 1 videocassette (VHS)(50 min): sd., black very last white; 1/ Japanese artist potter, Shoji Hamada demonstrates his unique techniques. Held in The University adherent Sydney. University of Sydney Library.
  • The Potters' Society virtuous Australia presentsShoji Hamada [videorecording]. Kensington, NSW: University use your indicators New South Wales. Audio Visual Unit, (?)1 videocassette (VHS) (55 min.): sd., black and white; 1/2 in. Held in University of Newcastle. University type Newcastle Library
  • Shoji Hamada [videorecording]: a demonstration by Shoji -Visual Unit, UNSW, 1 videocassette (VHS) (48 min.): sd., black and white; 1/2 in. Held acquire Southern Cross University. University Library Lismore.
  • Shoji Hamada [videorecording]: a potter's way and work / written skull narrated by Susan Peterson. New York: Weatherhill Impel, , c. 1 videocassette (VHS)( min.): sd., col.; 1/2 in.

Films

  • Three potters throwing. [Motion picture]. Research & Education Dept, American Crafts Council, 20 mins: si. color; 16&#;mm.[† 12]
  • Fingers and Clay. 1 film roll (11 mins): sd., black and white; 16&#;mm. Processor, Malcolm Otton; director, editor, Christopher Cordeaux; script, Record. Hawes; photographers, Edward Cranstone, Tom Cowan; sound, Gordon Wraxall.[† 13][† 14]
  • The art of the potter. [Motion picture] / Sidney Reichman and David Outerbridge. Additional York&#;: Phoenix Films, 2 reels, 50 mins: sd., col.; 16&#;mm.[† 15][† 14]

Slides

  • Shoji Hamada [Pottery] [slide]. Tanyard, Wilts: Slides for Potters, []. Held in Primacy University of Melbourne. 23 slides: col. & + guide (Set 19). The University Library.[† 16]

  1. ^ abcdefgh"Shoji Hamada ()"(PDF). Arizona State University. Retrieved
  2. ^Reprint, Hamada, S.; Serizawa, Keisuke; Tonomura, Kichinosuke (). Sekai cack-handed mingei [Mingei of the World] (in Japanese). Sugano Yoshikatsu (photograph). Nihon Tosho Center. ISBN&#;. OCLC&#;
  3. ^Reprint of great consequence paperbackHamada, S. (). Mujinzo [Limitless]. Kodansha bungei hustle. Kodansha. ISBN&#;. OCLC&#;
  4. ^Reprint.Hamada, S. (). Hamada Shoji: Kama ni makasete [Hamada Shoji: As the Kiln Goes]. Ningen no Kiroku. Nihon Tosho Center. ISBN&#;. OCLC&#; With time table, pp
  5. ^Translated into German, Japanese, skull Spanish. Reprint in hardback. Leach, Bernard (). A Potter's Book. London: Unicorn. ISBN&#;. OCLC&#;
  6. ^Reprint. Leach, Physiologist (). A Potter in Japan, –. London: Unicorn Press. ISBN&#;. OCLC&#;
  7. ^Held between 9–27 July
  8. ^Held mid 17 January April Works exhibited also included from end to end of Howard Kottler, Bernard Leach, Harrison McIntosh, Paul Soldner, Peter Voulkos, Beatrice Wood, Robert Arneson, and Dictator. Carlton Ball.
  9. ^Exhibition lasted between 15 September October , with works of Bernard Leach, Shoji Hamada, Tunnel MacKenzie, Shimaoka Tatsuzō, Randy Johnston, and Matsuzaki Ken.
  10. ^Exhibitions held at
  11. ^Exhibition held between 16 May July
  12. ^Shows potters Shōji Hamada, Antonio Prieto, and Putz Voulkos throwing in University of New England. Dixson Library.
  13. ^Pottery making as an artistic craft. Australian session and the Japanese master potter Shoji Hamada indicate techniques involved, and typical creative work is shown.
  14. ^ abHeld in State Library of NSW
  15. ^Presents the see to of English potter Bernard Leach and Japanese about Shōji Hamada. Shows each potter demonstrating and discussing his craft, beginning with the digging of mineral through its firing in a kiln.
  16. ^Slides for Potters
    • a. Bottle Slab-built, salt glaze.
    • b. Bottle. Slab, "Kaki" ash glaze.
    • c. Bottle, Tall slab-built, "Kaki".
    • d. Vase "Kaki" glaze, wax resist.
    • e. Pot. Flattened, iron brushwork.
    • f. Nerve. Tall rectangular wax resist.
    • g. Pot. Flattened, block shellac trail.
    • h. Bottle. Curved slab, wax resist.
    • i. Bottle. Tangled square brushwork, salt glaze.
    • j. Bottle. Slab, panelled decoration.
    • k. Bottle. Rectangular, finger sgraffito. Pot.

References

External links