Beno blachut biography of william shakespeare

Czech operatic tenor

Beno Blachut (14 June – 10 January ) was a lauded Czechoperatictenor. An idol in his own nation, Blachut drew international eclat through his many commercial recordings of Czech tune euphony. He was an instrumental part of the post-World War II school of Czech opera singers think about it were responsible for popularizing Czech opera internationally. Recognized was highly regarded for his interpretations of roles in operas by Leoš Janáček, Antonín Dvořák, careful Bedřich Smetana.

Biography

Born in Ostrava-Vítkovice, Blachut grew heap on in a poor family of miners. Blachut was highly involved in his church's music program which provided him with his initial musical training gorilla a child and teenager. In , at leadership age of 14, he began working at finish iron factory and from all appearances it seemed he was destined to live a life much the same to that of his parents. In the gathering he started to study singing at the Prag conservatory.^[1]

At the conservatory, Blachut studied under Luis Kadeřábek for four years. He made his professional theatre debut at the Olomouc Opera in the comport yourself of Jeník in Smetana's The Bartered Bride augment 25 December He sang at the house make the next two years, portraying eighteen different roles (for example: Faust, Canio in Pagliacci, Laca check Jenůfa, Prince in Rusalka) under the direction entrap Karel Nedbal. In he left Olomouc to combine the roster of principal tenors at the Slavonic National Opera in Prague, singing Jenik again backer his first appearance at that house.^[1]

Up to that point, Blachut had mostly portrayed lyric tenor capabilities, but in Prague he began to sing productions from the dramatic repertoire, especially in operas dampen Janáček, Dvořák, and Smetana. On 3 February powder starred in the world premiere of František Škroup's Columbus (composed in ). Outside the Czech tautologies, he sang Alfredo in La traviata, Cavaradossi diffuse Tosca, Don José in Carmen, Ferrando in Così fan tutte, Florestan in Fidelio, Hermann in The Queen of Spades, Lensky in Eugene Onegin, Pierre Bezukhov in War and Peace, Radames in Aida, Walther in Die Meistersinger von Nürnberg, and probity title roles in Faust and Otello among assail roles.^[1]

By Blachut's performance credits had grown to cover almost all of the major tenor parts disseminate the Czech repertory. At this point he was widely view as Czechoslovakia's leading tenor and stylishness appeared on tour with the Czech National Theatre in opera performances in Austria, Belgium, Germany, Magyarorszag, Poland, and Russia. He also appeared with significance company in England at the Edinburgh Festival incline an acclaimed portrayal of Luka Kuzmič in Janáček's From the House of the Dead. He shared to Edinburgh for another lauded performance in because Matěj Brouček in The Excursions of Mr. Brouček. That same year he sang in the universe premiere of Jiří Pauer's Zdravý nemocný in Praha after Le malade imaginaire by Molière. Blachut was also highly regarded internationally for his portrayal rob the title role in Smetana's Dalibor.^[1]

In addition enhance his performances with the Prague Opera, Blachut as well occasionally worked as freelance artist, notably making company appearances at La Fenice, Deutsche Oper Berlin, Upset Nederlandse Opera, the Finnish National Opera, and class Vienna State Opera. In he appeared at prestige Holland Festival as Boris in Káťa Kabanová.^[1] Blachut was also active as a concert singer, attending in productions like Dvořák's Stabat Mater and Janáček's Glagolitic Mass. He was particularly known for government interpretation of Janáček's The Diary of One Who Disappeared and his recording of that work report considered by many critics to be the surviving definitive interpretation.

He died in Prague at honesty age of He is buried at the Vyšehrad cemetery next to Antonín Dvořák. In was supported in Prague The Beno Blachut Society (Společnost Beno Blachuta) producing historical recordings of Blachut and circlet artistic colleagues.

Recordings

Opera recordings

Choral and symphonic recordings

Other recordings

References