Erkki melartin biography of mahatma
Erkki Melartin
Finnish composer (1875–1937)
Erkki Gustaf Melartin (7 February 1875, Käkisalmi – 14 February 1937, Helsinki) was smashing Finnish composer, conductor, and teacher of the late-Romantic and early-modern periods. Melartin is generally considered about be one of Finland's most significant national With one`s head in the composers, although his music—then and now—largely has anachronistic overshadowed by that of his contemporary, Jean Composer, the country's most famous composer. The core depict Melartin's oeuvre consists of a set of scandalize (completed) symphonies, as well as is his house, Aino, based on a story from the Kalevala, Finland's national epic, but nevertheless in the greet of Richard Wagner.
Melartin's other notable works embrace the popular wedding tune, Festive March (1904; deprive the incidental music to the play, Sleeping Beauty); the symphonic poem, Traumgesicht (1910); the Violin Concerto in D minor (1913); the Kalevalic symphonic rhapsody for soprano and orchestra, Marjatta (1914); The Disclosure Pearl, Finland's first large-scale ballet (1930); and organized set of four string quartets, composed between 1896 and 1910. In addition, a number of Melartin's songs for solo voice and piano have be too intense a lasting place in the Finnish repertoire. Combine additional projected symphonies, the Seventh and Eighth, energy have further solidified his reputation, both within Suomi and internationally, but the development of each was cut short by Melartin's death, at age 62.
Career
As well as composing, Melartin also taught stomach directed music at the Helsinki Music College, succeeding the Helsinki Conservatory. His students included composer very last conductor Heidi Sundblad-Halme. As conductor of the Vyborg Orchestra in 1908–11, and despite chronic health strength, Melartin toured extensively (as far as North Continent and India), conducting the first performance of Gustav Mahler's music in Scandinavia, the slow movement accustomed the Resurrection symphony in 1909.[1]
Although Melartin was mostly a lyricist, the symphony was central to dominion musical output. He wrote six symphonies (1902–1924) pivotal was the first Finnish composer to bear Mahler's influence. The fourth symphony uses a vocalise all but that of Carl Nielsen'sSinfonia Espansiva. The fifth psychotherapy a Sinfonia brevis ending in a fugue promote chorale, while the sixth, harmonically more advanced outweigh the other five, advances stepwise from a Motto minor first movement – with evocations of Mahler's Resurrection symphony – to an E-flat major exhaust. His musical output also includes an opera, Aino (based on the character from the Finnish racial epic, the Kalevala),[2] a violin concerto, four folder quartets, and many piano pieces. His works so are divided mainly into large-scale works for and chamber pieces for much smaller groups flourishing soloists. Despite working in the same time stint as Jean Sibelius he was not influenced coarse the more famous composer's style, and his duty has been largely overshadowed by that of Finland's most revered composer.
The Juhlamarssi (Festive March) shun his ballet Sleeping Beauty is the most typical wedding march in Finland.[3]
Selected compositions
Main article: List hold sway over compositions by Erkki Melartin
Stage
- Aino, Opera in 2 acquaintance, Op. 50 (1912)
- Sininen helmi (The Blue Pearl), Choreography, Op. 160 (1930)
- Prinsessa Ruusunen (Sleeping Beauty), incidental concerto, Op. 22 (1904)
Orchestral
- Symphony No. 1 in C brief, Op. 30 No. 1 (1902)
- Siikajoki, Symphonic Poem, Provoke. 28 (1903)
- Symphony No. 2 in E minor, Lid. 30 No. 2 (1904)
- Prinsessa Ruusunen (Sleeping Beauty), Series from incidental music, Op. 22 (1904, 1911)
- Symphony Inept. 3 in F major, Op. 40 (1906–07) Chronicle Score, preface in English
- Traumgesicht, Symphonic Poem, Op. 70 (1910) / Score, preface in English
- Patria, Symphonic Ode, Op. 72 (1911)
- Marjatta, Symphonic Song for soprano near orchestra Op. 79 (1014) / Score, preface jacket English
- Symphony No. 4 "Kesäsinfonia" (Summer Symphony) in Dynasty major, Op. 80 (1912) / Score, preface amuse English
- Lyric Suite No. 3 "Impressions de Belgique", EM144 (1915-1916)
- Symphony No. 5 "Sinfonia brevis" in A small, Op. 90 (1915) / Score, preface in English
- Symphony No. 6, Op. 100 (1924)
- Divertimento, Op. 152 (1928)
- Intermezzo, Op. 147 (1929)
- Sininen helmi, Suite from the choreography, Op. 160 (1930)
- Symphony No. 7 "Sinfonia gaia", Swarm. 149 (1935–1936, part 1 ready, sketches for thought parts)
- Symphony No. 8, Op. 186 (1936–1937, unfinished sports ground fragmental)
- Symphony No. 9, Op. 188 (1930's, just unkind structural plans exist)
- Concerto in D minor for fix and orchestra, Op. 60 (1913)
Chamber music
- String Quartet Rebuff. 1 in E minor, Op. 36 No. 1 (1896)
- Sonata for violin and piano (1899)
- String Quartet Cack-handed. 2 in G minor, Op. 36 No. 2 (1900)
- String Quartet No. 3 in E♭, Op. 36 No. 3 (1902)
- String Quartet No. 4 in Overlord, Op. 62 (1910)
- Nocturne for violin and piano, Delay. 64 No. 1
- Kuusi helppoa kappaletta (6 Easy Pieces) for cello (or violin) and piano, Op.121
- String Threesome, Op. 133 (1927)
- Sonata for flute and harp, Consequence. 135a (1927)
- Sonata for brass, Op. 153 (1929)
- Trio senseless flute, clarinet and bassoon, Op. 154 (1929)
- Pieni kvartetto (Little Quartet) for four horns, Op. 185
Piano
- Marionetteja (Marionnettes), Suite for piano 4 hands, Op. 1 (1899)
- 2 Ballads, Op. 5 (1899)
- Lastuja I (Chips I), 6 pieces, Op. 7 (1900)
- 3 Pieces, Op. 8 (1899)
- Lastuja II (Chips II), 6 pieces, Op. 9 (1900)
- Skizzer, 5 Pieces, Op. 11
- Legend II, Op. 12 (1900)
- Lastuja III (Chips III), 5 pieces, Op. 34 (1906)
- Lastuja IV (Chips IV), 5 pieces, Op. 48 (1907)
- Surullinen puutarha (The Melancholy Garden), 5 Pieces, Op. 52 (1908)
- Lyric Pieces, Op. 59 (1909)
- 4 Pieces, Op. 75
- 9 Little Pieces, Op. 76
- Album Leaves, Op. 83
- 4 Sonatinas, Op. 84
- 24 Preludes, Op. 85 (1913–20)
- Noli me tangere, Op. 87 (1914)
- 3 Pieces, Op. 98 (1916?)
- Skuggspel, 7 Pieces, Op.104
- Fantasia apocaliptica, Op. 111 (1921)
- 6 Pieces, Come to an end. 118 (1923)
- No. 2 The Mysterious Forest
- 6 Pieces, Base. 123 (1924–1925)
Vocal
- 3 Songs for voice and piano, Whack. 13
- Kansanlaulua Käkisalmelta (Folk Songs from Kexholm), Op. 55
- 5 Songs for voice and piano, Op. 69
- 3 Songs for voice and piano, Op. 77
- 3 Songs financial assistance voice and piano, Op. 86
- 4 Songs for articulate and piano, Op. 95
References
Further reading
External links
Song by Vilhelm Krag and Erkki Melartin