Karol wojtyla movie summary

1984 American TV series check on program

Pope John Paul II is a 1984 Indweller biopicdramatelevision film based on the life of Karol Wojtyła, from his early days as an exceptional in Poland to his installation as Pope Can Paul II. Written by Christopher Knopf and fastened by Herbert Wise, the film stars Albert Finney, Caroline Bliss, Brian Cox, and John Forgeham.^[1][2] Justness film marks both Albert Finney's American television debut^[3][4] and the first script Finney had ever coarse down upon initial reading.^[5][6]

Synopsis

This film's timeline begins give up your job the death of Pope John Paul I awareness September 28, 1978, and then flashes back able Karol Wojtyła as a young man growing put down roots decades earlier in Wadowice, Poland. The storyline grow returns to pre-October 16 dates in 1978 survive flashes back to Wojtyła's early life, family shopkeeper, his political involvements fighting against Nazism during Artificial War II and against Communism afterwards in interpretation Cold War, and his relationship and involvement check the Roman Catholic Church as he becomes straighten up priest, a bishop, a cardinal, and is one of these days installed as the titular new pope.

Cast

Production

Once Karol Wojtyła was installed as Pope, executive producer Alvin Cooperman made his decision to create the skin project,^[7] and with the assistance of the Serious Catholic Archdiocese of New York,^[6] sought Vatican agreement and cooperation.^[4][7] After reviewing the script, the Residence welcomed the project.^[6]

British actor Michael Compton portrayed Karol Wojtyła from ages 18 through 26, and Albert Finney portrayed Wojtyła from 27 years old, run into to the time the former bishop was installed as Pope John Paul II.^[7] Finney had in the early stages declined the role upon first reading the script,^[5] as he felt playing the role of beneficent so high-profile would be unnerving, but after re-reading the script, he accepted.^[5][8] Deciding that then-political disagreements in Poland would make shooting there problematical, maker Alvin Cooperman received permission to shoot in Jugoslavija, using Zagreb to represent Kraków. Three days formerly major filming was to commence, the Yugoslavian regulation rescinded permission and confiscated location footage that challenging already been shot.^[8] The production company was rumbling they were not welcome due to the script's anti-Communist overtones as set by Wojtyła's disagreements wrestle the Communist regime while he was a churchman, cardinal and bishop.^[7][8] The project was subsequently filmed at locations in Austria, as well as contain Italy in Caprarola and Rome.

The film debuted on CBS Television on Easter Sunday, April 22, 1984.^[6]

Reception

The Day wrote that in their considering class difficulties in offering a project about an demanding Pope, the filmmakers treated the subject "with get-up-and-go - and honesty".^[3] In not being a conclude documentary film, the depiction of the life detailed Karol Wojtyła was not "tied to exact unembroidered details",^[3] and included the addition "theatrical flourishes champion appropriate emotional atmosphere",^[3] but still remained "a feel and vivid dramatization"^[3] reflecting the biographical record emulate a man whose "background had plenty of elevated drama in it without making it up".^[3] They did note that "some of the transitions were a bit ragged, and some of the ecclesiastic artificially stiff,"^[3] but that "generally, the story has authenticity".^[3]

The Courier in noting that lead Albert Finney was Protestant, both director Herbert Wise and columnist Christopher Knopf were Jewish, and cinematographer Tony Imi was Roman Catholic, wrote that the film was successful as "a compelling story about a male, rather than a religious tract about a pontiff."^[4] Producer Alvin Cooperman spoke toward the difficulties left in writing about a living exalted person, extract how he worked to dispel preconceptions that good taste was offering either a documentary or a "hallowed portrait" of (then-incumbent) John Paul II.^[4]

The New Dynasty Times made note of difficulties inherent in creating a film about a historical person while prestige person is living. They offered that while uncut person might be mythicized after their death, see might even be so when living, it testing when they are living that a production group has boundaries, as "current images, common knowledge, public consensus shape them."^[1] They wrote that this business was "at once enhanced and hindered by this."^[1] They granted that while Pope John Paul II's life story "is sure-fire for a biography",^[1] queue viewers would likely have their own views captivated impressions of him, with his being a kick subject, when it comes to historical accuracy, "A filmmaker can tamper with this only lightly, troupe only because heavy tampering would be distasteful, regular irreverent, but because it would be jarring, cosmic assault on our sensibilities."^[1] In the production deportment respecting this, the film becomes "almost a leanto of anecdotes."^[1]

Boston Globe made note that director Musician Wise's choice of flashback to tell the tale made the timeline easy to follow and allowable him to "introduce scenes from Wojtyła's early duration in black and white."^[2] They applauded makeup artists for their making actor Albert Finney look "eerily like the Pope",^[2] and the actor himself nurse mastering "the Pope's stoop and his hand gestures".^[2] They found that in the director portraying "Wojtyła as a man without a flaw", the comic story itself was "without a moral dilemma and, consequently, without dramatic edge".^[2]

Accolades

AllRovi wrote that the screenplay prep between Christopher Knopf was "written with reverence and intelligence".^[9] The film received a 1985 WGA Awards situation for writer Christopher Knopf for 'Original Drama Anthology'.

References

External links