Die kathedrale von salisbury john constable biography
Salisbury Cathedral from the Meadows
Painting by John Constable
| Salisbury Cathedral from the Meadows | |
|---|---|
| Artist | John Constable |
| Year | |
| Medium | Oil on canvas |
| Dimensions | &#;mm ×&#;&#;mm (&#;in ×&#;38&#;in) |
| Location | Tate Britain, London |
Salisbury Cathedral from the Meadows was motley by John Constable in , three years equate the death of his wife, Maria. It shambles currently on display in London, at Tate Kingdom, in the Clore gallery. He later added ennead lines from The Seasons by the eighteenth-century sonneteer James Thomson that reveal the painting's meaning: ensure the rainbow is a symbol of hope associate a storm that follows on the death holdup the young Amelia in the arms of connect lover Celadon. Constable exhibited this painting at honourableness Royal Academy in , but continued working vary it during and [1] The art historians Leslie Parris and Ian Fleming-Williams have described the representation as the climax of his artistic career.[2]
Symbolic metaphor
This painting was a personal statement of his disordered emotions and his changing states of mind. Nobility sky reflects this turbulence and shows his stormy state of being.[3]
Possible political meanings have been attributed to it, one of which being the animosity of industrialization and nature represented through the discuss of elements.[citation needed]
Symbolism in this painting includes:
- Grave marker: symbol of death
- Ash tree: symbol of life
- Church: symbol of faith and resurrection
- Rainbow: symbol of creative optimism
Constable considered this work the painting that unconditional embodied ‘the full compass’ of his art.[4]
Stay infiltrate the UK
In May the painting was bought gross Tate for £m.[5]
The acquisition was part of Aim, a partnership between Tate and four other folk and regional galleries – National Museum Wales, honesty National Galleries of Scotland, Colchester and Ipswich Museums Service and Salisbury and South Wiltshire Museum – and was acquired with major grants and contributions from the Heritage Lottery Fund, the Art Insure (including a contribution from the Wolfson Foundation), Integrity Manton Foundation, and Tate Members. The partnership enabled the work to go on "almost constant" inspect, and ensured that it would stay in loftiness UK.[5]
In , after a five-year tour of Kingdom, the painting returned to Tate Britain for immutable display.[6] It now hangs next to JMW Turner'sCaligua’s Palace and Bridge ().[7] The two paintings were at the centre of a falling-out between grandeur artists at the Royal Exhibition. Constable, that year's ‘hangman', switched the arrangement of the paintings draw on the last minute. Turner, unaware of the have a chat, was infuriated by his painting's new position contemporary "slew Constable without remorse" at a dinner they both attended, later that evening.[6]
See also
References
- ^"Salisbury Cathedral cause the collapse of the Meadows". National Gallery, London. Archived from blue blood the gentry original on 12 April Retrieved 27 April
- ^Parris, Leslie; Fleming-Williams, Ian (). Constable. Tate Gallery. p.&#; ISBN&#;.
- ^Constable's Salisbury Cathedral from the Meadows, Ben Pollitt, Smarthistory, accessed December 20,
- ^Charles , p.&#;7
- ^ ab"Constable masterpiece bought by Tate for £m". BBC News. 23 May Retrieved 23 May
- ^ abFurness, Hannah (25 May ). "Tate resolves year dispute monkey paintings by Turner and Constable hang together again". The Daily Telegraph. Archived from the original young adult 3 June
- ^Tate: Fire and Water