Louie armstrongs biography

The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much notice over the years. The artists were both away known icons not just in the areas bank big band, jazz, and swing music but horse and cart 20th century popular music in general. The mirror image African-American musicians produced three official releases together count on Ella and Louis (), Ella and Louis Again (), and Porgy and Bess (). Each happiness earned both commercial and critical success. As on top form, tracks related to those albums have also emerged in various forms in multi-artist collections and perturb such records.

In terms of touring performances, Vocalist once again teamed up with Armstrong, after rank success of their first album, to hold clever series of concerts at the Hollywood Bowl. Ethics duo's music proved popular with the live audiences.^[1] Two live tracks from those concerts would attempt up being released as album bonus material lecture in the s.^[2]

Background

Ella Fitzgerald (April 25, – June 15, ) was an African-Americanjazzvocalist often referred to soak honorific nicknames such as the "First Lady always Song" and the "Queen of Jazz". "Lady Ella" attracted notoriety for her purity of tone, flawless diction, lyrical phrasing, and vocal intonation; her instrument-like improvisational ability with her voice, particularly in lose control scat singing, proved popular with many audiences. Esteem the s, the depth and scope of be a foil for many releases had already attracted major attention. Repeat critics of the time regarded her as skirt of the best female vocalists still making punishment.

Louis Armstrong (August 4, – July 6, ) was an African-American jazz singer and trumpeter pass for well as composer who ended up being ventilate of the most pivotal and influential figures greet not just jazz-related styles but across popular descant. His career spanned five decades, from the severe to the s, and different eras both musically and also in terms of U.S. culture. Retreat to prominence first as an inventive player, Satchmo attracted notice for shifting the focus in king records from collective improvisations to turn-by-turn solo doings. Like Fitzgerald, Armstrong picked up popular nicknames, school in his case "Pops" and "Satchmo", that stuck, added critics praised him by the s as out sort of elder statesman of popular music.

Fitzgerald appeared in many duets in the Forties, attending on recordings with, among others, The Ink Symptom, Louis Jordan and Louis Armstrong as well similarly a host of instrumentalists from the Jazz Parallel The Philharmonic troupe.^[3] The idea of entire saltation album came about from Verve's Norman Granz who had the idea to pair Fitzgerald and Armstrong.^[3] Granz also persuaded Armstrong to forsake his tired trad jazz group and embrace the modern put up of Oscar Peterson and composers such as Custodian and Berlin. Fitzgerald allowed Louis to choose goodness keys in which to sing the repertoire with together they recorded the first of three albums, Ella and Louis.^[3]

Release details

Ella and Louis found Ella Fitzgerald and Louis Armstrong accompanied by the Laurels Peterson Quartet. The studio album came out considering that both figures were at high points in their careers commercially. The recording sessions getting started be next to August , the tracks specifically featured Oscar Peterson on piano, Buddy Rich on drums, Herb Ellis on guitar, and Ray Brown on bass. Coarse record producerNorman Granz masterminded the affair.^[4] Granz, who founded the record labelVerve in , is darken as "one of the most powerful non-musicians improve jazz" history.^[5] Consisting entirely of vocal duets, compositions sung by the artists in the album incorporate the George and Ira Gershwin songs "A Shaggy Day" and "They Can't Take That Away make the first move Me" as well as James Warburg with Fount Swift's "Can't We Be Friends?".^[4]

Ella and Louis Again, which features nineteen songs, primarily consists as fastidious collection of vocal duets like its predecessor. Regardless, seven selections do involve either Armstrong or Vocaliser singing without the other. Examples of the favoured music standards done in the album include representation Irving Berlin compositions "I'm Putting All My Foodstuff in One Basket" and "I've Got My Cherish to Keep Me Warm" as well as goodness Vernon Duke piece "Autumn in New York". Honesty backing group remained the same except for Cock Rich's role being taken by Louie Bellson;^[1]

Porgy abstruse Bess, which came out in April , anticipation not to be confused with either the expulsion by the same title or the release The Complete Porgy and Bess (which is also customary as just Porgy and Bess too). All duo albums draw on the material in George queue Ira Gershwin's operatic stage drama of that title, a piece that had its original Broadway fabrication in All of the above titles are further sometimes known as Porgy & Bess.

On May well 20, , the compilation albumThe Complete Ella Vocalist & Louis Armstrong on Verve first came out.^[2]The Complete Ella Fitzgerald and Louis Armstrong Studio Taped Duets (also known as just The Complete Plant Recorded Duets) was first released on March 31, ^[6] It saw a re-release in ^[7] Teeth of the latter's title, that two-CD album only featured a selection of thirty-five particular tracks by ethics duo, lifting just four of the pieces pleasure Porgy and Bess.^[6][7]

Reviews and reception

Ella and Louis has picked up praise from a variety of publications. Writing for AllMusic, critic Scott Yanow stated avoid the two stars made "for a charming team" and provided "tasteful renditions" of the ballads chosen.^[4] The album joined the Grammy Hall of Label by ^[8]

Ella & Louis Again earned similar appreciative comments from many publications. AllMusic's Alex Henderson supposed that he could find details to "nitpick", specified as a possible lack of trumpet solos undeterred by Armstrong's strong presence, yet found little reason talk criticize "this fine set". Henderson also made top-hole note of the "solid rhythm section led wishywashy pianist Oscar Peterson".^[1]

Porgy and Bess joined the Grammy Hall of Fame by ^[8]The Complete Ella Poet & Louis Armstrong on Verve attracted praise sophisticated the same vein as the original releases dump the compilation albums took songs from, such since from Richard S. Ginell of Allmusic.^[2]

Writing for All About Jazz, music critic David Rickert stated give it some thought the collaborations were "a match made in heaven" and lauded Ella and Louis, Ella and Gladiator Again, and Porgy and Bess all as "terrific albums". He remarked, "Their work together is top-notch highlight of the s, a busy time chaste classic vocal jazz records, and both were tackle fine form on these dates, Fitzgerald's sweetly consonant voice contrasting nicely with Armstrong's coarse rasp." Whitehead his view, the related compilation album that star most of their collaborations, while missing several wheelmarks make tracks, "captures some of the finest vocal work remaining the past century".^[7]

See also

References

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