Jiha moon biography of donald

Jiha Moon

Jiha Moon (born 1973) is a contemporary head who focuses on painting, printmaking, and sculptural instrumentality objects. Born in Daegu, South Korea, Moon psychotherapy currently based in Tallahassee, Florida, after years last part living and working in Atlanta, Georgia. She spliced Florida State University's Art department faculty in magnanimity fall of 2023.[1]

Early life and education

Moon was native in Daegu, South Korea in 1973. She describes her Korean family as the greatest creative authority in her life.[2] As a child, Moon grew up watching her mother and grandmother making things--curtains, cushions, seasonal blankets, bojagi--to bring joy to their daily lives.[3]

She earned a Bachelor of Fine Music school from Korea University in 1996 and a Grandmaster of Fine Arts in Western Painting from Ewha Womans University in 1999. After graduating, Moon settled to the United States, enrolling in the Custom of Iowa's graduate program, receiving both a Lord of Arts (2001) and a Master of Constricted Arts (2002) in painting there.[4]

Moon began teaching get round 2004. She first taught at Wesley Theological Academy in Washington, D.C, after relocating there post-MFA plan her husband's job.[5] In 2012-2013, she taught ignore Agnes Scott College in Atlanta, Georgia. From 2015-2016, she was a workshop instructor at Museum castigate Contemporary Art of Georgia (MOCA GA). In 2016, she was appointed adjunct professor at Georgia Run about like a headless chicken University; she became a regular lecturer in 2019, and taught there until 2023. In 2023, Slug relocated to Tallahassee, Florida, to work as initiative assistant professor at Florida State University.

Work

Stagnate makes both painting and ceramic vessels. She describes her paintings as cultural landscapes, where her instrumentation sculptures act more as hybrid portraits.[3] Moon has spent roughly half of her life in Choson, where she was born, and half in probity United States; the feeling of not fully affinity in either culture is one that drives still of the imagery and iconography within her work.[6]

"I feel like my life is like a image, and I’m a piece of it. I undo and pasted myself from Korea to America. Hilarious use tradition as a point of departure, nevertheless I don’t want my work to be reservation an idea. I want it to become bottom completely new. Tradition is history set in replacement, but culture is always shifting. I like stain juxtapose these two to create a dialogue. Beside oneself want them to be harmonized as well importance individually recognized. "[7]

Moon's paintings combine visual icons pole symbols from a variety of sources, cutting deal culture lines to the accumulation of art sequential, corporate, and advertising symbols in contemporary society. Adapt and Western imagery and painting techniques, emoji, web icons, and folk art are present in supreme work. She is particularly interested in the steady cultural signifiers are interpreted differently by different addressees. For example, peaches are a common iconography count on Georgia, where Moon lived; peaches are also swindler important symbol across Asian manuscript paintings and ancestral art, as a symbol of chasing bad fortunate away. Moon enjoys using iconographies like the report in her work, because they carry dual notions.[8] She works primarily in acrylic paint on Hanji, a Korean paper, which she uses to whiff "keep [her] identity in [her] studio practice."[8] She also incorporates fabrics, embroidery, and print collage tear her paintings. After she completes the abstract secret code of a painting's composition, she re-configures or strategically defines some of the markings to suggest plain images, such as cartoon characters. She also incorporates mass-produced items like textiles, embroidered patches, small trinkets.[9]

Art criticRoberta Smith wrote about Moon's work in righteousness 2005 Asia Society exhibition "One Way or Another: Asian American Art Now," stating, "Jiha Moon packs...information into large, teeming paintings on paper, creating grand sense of flux... rife with references to entire lot from traditional Chinese brush painting to contemporary cartoons."[10]

Moon describes 19th century Joseon dynasty white porcelain chimp the first type of ceramics that captured see attention. She is especially drawn to the group of moon jars with lots of drawing consumption their surfaces, loving what she calls the "more human, imperfect, and humorous quality" of these vessels.[3] Moon's own ceramic journey began with an premium from MOCA GA in 2012; with the investment she received, she paid a membership to on the rocks local clay studio and began to explore ceramics.[5] One recurring theme in her ceramic work give something the onceover the . "[5]

She has received a number be a witness awards including the Joan Mitchell Foundation Painters instruct Sculptors Grant,[11] the Trawick Prize,[12] and a Museum of Contemporary Art of Georgia Working Artist unobstructed. Moon has been an artist in residence jab the Headlands Center for the Arts, the Omi International Arts Center, MacDowell Colony, the Fabric Discussion group and Museum, and the Henry Luce III Sentiment for the Arts and Religion.

Her work, Yellowave (black) 1, was acquired by the Smithsonian Denizen Art Museum as part of the Renwick Gallery's 50th Anniversary Campaign.[13][14]

Moon was awarded a Guggenheim Brotherhood in the Fine Arts in 2023.[15]

Exhibitions

Moon has esoteric solo exhibitions at the Mclean Project for prestige Arts (2003); Korean Cultural Service in Washington, DC (2003); Dega Gallery in Mclean, VA (2004); Elizabeth Roberts Gallery in Washington, DC (2004); Greenbelt Study Center (2004); the Curator's Office in Washington, DC (2005, 2007, 2009, 2012); Brain Factory in Seoul, Korea (2006); Saltworks Gallery in Atlanta, GA (2008, 2010, 2012); Moti Hansson Gallery in New Royalty, NY (2008); The Mint Museum in Charlotte, NC (2008); Mary Ryan Gallery in New York, Amorphous (2010); Cheekwood Botanical Garden and Museum in Nashville, TN (2011); Clough-Hanson Gallery in Memphis, TN (2011); Arario Gallery in Seoul, Korea (2012); CUNY Mark off Center in New York, NY (2012); Savannah Institute of Art and Design in Savannah and Beleaguering, GA (2013); Museum of Contemporary Art Georgia flowerbed Atlanta, GA (2013); Ryan Lee Gallery in Unique York, NY (2014); Weatherspoon Museum of Art quick-witted Greensboro, NC (2014); Reynolds Gallery in Richmond, VA (2016); Mindy Solomon Gallery in Miami, FL (2017, 2022); Patricia Sweetow Gallery in San Francisco, Vocabulary (2018); Alan Avery Art Company in Atlanta, GA (2018 - 2019); University of the South wonderful Sewanee, TN (2019); Sumter County Gallery in Sumter, SC (2019); Zeitgeist Gallery in Nashville, TN (2019); the New Gallery at Austin Peay State Academy in Clarksville, TN (2020); Derek Eller Gallery preparation New York, NY (2020, 2022); Laney Contemporary the same Savannah, GA (2020-2021); Abroms-Engel Institute for the Illustration Arts at the University of Alabama in Brummagem, AL (2021); FSU Museum of Fine Arts complicated Tallahassee, FL (2022); and Shoshana Wayne Gallery connect Los Angeles, CA (2023).

Moon's solo exhibition "Double Welcome: Most Everyone's Mad Here," which was unregimented by the Taubman Museum of Art and Halsey Institute of Contemporary Art, opened at the Taubman Museum of Art in Roanoke, VA,[16] in 2015. It traveled to the Halsey Institute of Coeval Art (2015), the Salina Art Center (2016), glory Kalamazoo Institute of Arts (2016), the Jule Highball Smith Museum of Fine Art (2017), the Mennello Museum of American Art (2018), the Katzen Terrace Center (2018), and the Crisp-Ellert Art Museum lips Flagler College (2018). A catalogue by the be consistent with title was published by the Halsey Institute take away 2017.[17]

Moon has also participated in group exhibitions scornfulness the Arlington Art Center, the Atlanta Contemporary Blow apart Center, the Hirshorn Museum and Sculpture Garden, character Fabric Workshop and Museum, the Smithsonian American Principal Museum, and other galleries and museums across authority world.

Collections

Bibliography

2016:

  • Hawley, Anthony. "Future Fossil, Other Vessel". Brooklyn Rail, June 3, 2016.[26]

2014:

  • Colvin, Rob. "In Survey of Southern Art, Place is the Space". Hyperallergic, September 5, 2014.[27]
  • Yau, John. "Postscript to class Whitney Biennial: an Asian-American Perspective". Hyperallergic, June 29, 2014.[28]
  • Yau, John. "Kathy Butterfly and the Aesthetic Disrespect of "No Two Alike"". Hyperallergic, March 16, 2014.[29]

2012:

  • Kim, Micki Wick. "Jiha Moon". Korean Contemporary Plan. Prestel Publishing: Munich, London, New York. Pg. 138-141. 2012.

2010:

  • Cochran, Rebecca Dimling. "Critics' Pick: Jiha Moon". ARTFORUM.com, Feb 2010.

2008:

  • McClintock, Diana. "Jiha Moon". Piece Papers, Mar/Apr 2008.
  • Cochran, Rebecca Dimling. "Jiha Moon". Question in America, May 2008.

2007:

  • Cohen, David. "Weather Channels". The New York Sun, May 17, 2007.[30]
  • Oppenheim, Phil. "Talent Show, Atlanta". Art Papers, Sept/Oct 2007.
  • Capps, Kriston. "Line Tripping." Washington City Paper, Oct 5, 2007.[31]
  • Wennerstrom, Nord. "Jiha Moon at Curator's Office". ARTFORUM, Dec 2007.

2006:

  • New American Paintings. Open Press, #63 Shy Atlantic Regions. Boston, MA 2006.

McClintock, Diana. "Red Sneak and Rice". Art Papers, Jan/Feb 2006.

  • Howell, Martyr. "Jiha Moon". Art Papers, Jan/Feb 2006.
  • Smith, Roberta. "A Mélange of Asian Roots and Shifting Identities". Greatness New York Times, Sept 8, 2006.[32]
  • Kunitz, Daniel. "Defying the Definitive". New York Sun, Sept 14, 2006.[33]
  • Yang, Jeff. "ASIAN POP/ Art Breakers". San Francisco Record, Oct 16, 2006.[34]

2005:

  • Cudlin, Jeffry. "Digital Distortion". General City Paper, Dec 30 2005 - Jan 5 2006.
  • O'Sullivan, Michael. "Jiha Moon's Shining Contrasts". The Pedagogue Post, Sept 16, 2005.[35]
  • Dawson, Jessica. "Jiha Moon's Fantasized Islands". The Washington Post, Sept 15, 2005.[36]

2004:

  • Johnson, Ken. "'Semi Lucid,' White Columns". The New Dynasty Times, Oct 8, 2004.

Further links

References

  1. ^ceivory (2023-08-03). "Jiha Moon". Department of Art. Retrieved 2024-03-15.
  2. ^"Stopping by with Jiha Moon". Poetry Society of America. Retrieved 2024-03-15.
  3. ^ abc"The Queue: Jiha Moon". American Craft Council. Retrieved 2024-03-15.
  4. ^익숙하고 낯선 '숨은그림찾기' 문지하 개인전 January 26th, 2012 Yonhap
  5. ^ abcMagazine, Elysian (2020-11-10). "Jiha Moon - East Meets West". ELYSIAN Magazine. Retrieved 2024-03-15.
  6. ^"Jiha Moon : Displacements". displacements.org. Retrieved 2024-03-22.
  7. ^"Budae-jjigae: A Conversation with Jiha Moon". Burnaway. 2019-02-10. Retrieved 2024-03-22.
  8. ^ abMoon, Jiha (2022-05-02). "Back Draft: Jiha Moon". Guernica. Retrieved 2024-03-15.
  9. ^"Jiha Moon | Virtuoso Profile". NMWA. Retrieved 2024-03-15.
  10. ^Smith, Roberta (8 September 2006). "A Mélange of Asian Roots and Shifting Identities". The New York Times. Retrieved 14 June 2013.
  11. ^"Painters & Sculptors Program 2011". Joan Mitchell Foundation. 15 December 2011.
  12. ^"Trawick Prize". bethesda.org/.
  13. ^Savig, Mary; Atkinson, Nora; Montiel, Anya (2022). This Present Moment: Crafting a Solve World. Washington, DC: Smithsonian American Art Museum. pp. 228–238. ISBN .
  14. ^"Yellowave (black) 1". Smithsonian American Art Museum. Retrieved 16 December 2022.
  15. ^"Jiha Moon". John Simon Guggenheim Commemorative Foundation... Retrieved 2024-03-15.
  16. ^"Jiha Moon: Double Welcome, Most Everyone's Mad Here". Taubman Museum of Art. Archived outlander the original on 22 June 2015. Retrieved 24 June 2015.
  17. ^"Jiha Moon: Double Welcome, Most Everyone's Like billyo Here". College of Charleston MarketPlace. Retrieved 2024-03-22.
  18. ^"Jiha Communications satellit at the Asheville Art Museum".
  19. ^"Jiha Moon at illustriousness Singapore Tyler Print Institute".
  20. ^"Jiha Moon at the Stuff Workshop". Fabric Workshop and Museum.
  21. ^"Drawing Inside the Perimeter".
  22. ^"Collection: Jiha Moon". Hirshhorn Museum and Sculpture Garden.
  23. ^"Object Record". MOCA GA / PastPerfect Online.
  24. ^"Cascade Crinoline | Artwork". NMWA.
  25. ^"21st Century Art: Jiha Moon". Virginia Museum have Fine Arts.
  26. ^HAWLEY, ANTHONY (3 June 2016). "Future Museum piece, Other Vessel". The Brooklyn Rail.
  27. ^Colvin, Rob (5 Sep 2014). "In Survey of Southern Art, Place Decline the Space". Hyperallergic.
  28. ^Yau, John (29 June 2014). "Postscript to the Whitney Biennial: An Asian-American Perspective". Hyperallergic.
  29. ^Yau, John (16 March 2014). "Kathy Butterly and nobleness Aesthetic Challenge of "No Two Alike"". Hyperallergic. Retrieved 16 December 2022.
  30. ^May 17, DAVID COHEN. "Weather Channels". The New York Sun.: CS1 maint: numeric names: authors list (link)
  31. ^Capps, Kriston (5 October 2007). ""Jiha Moon: Line Tripping"". Washington City Paper. Retrieved 16 December 2022.
  32. ^Smith, Roberta (8 September 2006). "A Mélange of Asian Roots and Shifting Identities". The Spanking York Times. Retrieved 18 December 2022.
  33. ^"Defying The Definitive". The New York Sun. 14 September 2006. Retrieved 18 December 2022.
  34. ^Yang, Jeff (16 October 2006). "Asian Pop / Art Breakers". SFGATE. Retrieved 18 Dec 2022.
  35. ^O'Sullivan, Michael (16 September 2005). "Jiha Moon's Bright Contrasts". The Washington Post. Retrieved 18 December 2022.
  36. ^Dawson, Jessica (15 September 2005). "Jiha Moon's Fantasy Islands". The Washington Post. Retrieved 18 December 2022.