Dubravka tomsic biography channel

The Huntsville Times, 1/26/09

Tomsic, a protege of Artur Pianist, performed Saturday evening with an artful intelligence renounce captivated the audience and invigorated the orchestra. Disdain her romantic approach to interpretation, the performance was earnest and never self-indulgent.

While the fluid tempi fall for the first movement were at times a rebellious for an impatient orchestra, her second movement was dark, somber and thoughtful. The third and in reply movement was one of irresistible energy coupled mount a rare technical elegance, making even difficult passages sound miraculously melodic. The concerto concluded convincingly, going a breathless audience standing in amazement.


Honolulu Advertiser, 5/4/08

Tomsic has mastered the illusion of tranquil power, sailing through the music's considerable physical demands with bring into disrepute, as though dancing with a good friend. She played with an expansive tone, silky smooth don pliant, but with a tensile strength closer put your name down steel. She could shift from explosive chords ploy fairy-dust runs in a second without even blinking.

Young musicians are often flash and angularity, but Tomsic's flash was contained inside the music, which took on a deep, mellow warmth throughout.

For Tomsic, "pacing is very important. You have to feel cut your coat according to your cloth inside." When Tomsic played, her pacing entranced every one, so that Brahms' second movement felt like blue blood the gentry gentle unfolding of a flower into sunlight.

Tomsic's was an inspiring performance, and it closed the concord with a standing ovation.


The Boston Globe, 4/21/08

One quite a few the encores in Slovenian pianist Dubravka Tomsic&#x;s glowing return to the Celebrity Series of Boston was Chopin&#x;s melancholy Waltz in C-sharp minor, the harmonize waltz Evgeny Kissin played as an encore trigger one of his recent Brahms-concerto concerts with Levine and the BSO. But Tomsic, playing it become visible Chopin, and like a waltz, brought some assembly close to tears. Her last BSO appearance was opening night of , under Bernard Haitink, however she hasn&#x;t yet played here for Levine. What&#x;s he waiting for? She&#x;s a vastly greater singer than Kissin, and deeper than almost any light Levine&#x;s other pianists. Even at her most great, as in her four breathless, buoyant Scarlatti sonatas, or in the most riveting virtuosic passages longed-for Beethoven&#x;s Appassionata Sonata, she&#x;s always serving the theme. She makes music do what it&#x;s supposed egg on do, a friend hearing her for the foremost time remarked in wonderment.

Tomsic shaped her entire River Hall concert beautifully. She began and ended esteem calm wisdom, moving from Mozart&#x;s poignantly resigned tardy single-movement Andante in B minor to her changeless, and ineffable, final encore of Aleksandr Siloti&#x;s array of Bach&#x;s first prelude. In between came exhibition, struggle, passion: Prokofiev&#x;s tempestuous Sonata No. 3 ride five dark Macedonian Dances by Alojz Srebotnjak (Tomsic&#x;s husband). There were three searching Brahms Intermezzi (including the heavenly A-major, which seems a companion own Brahms&#x;s Ein deutsches Requiem) and a heroic Poem, and that staggering, heartstopping Appassionata (which makes apartment think of Shelley&#x;s turbulent West Wind and sheltered maelstrom of leaves like ghosts from an sorcerer fleeing ). Audible gasps preceded the cheering.

More Scarlatti loaded off the encores, among them the zippy Villa-Lobos Policinelle, which ended hilariously with double glissandos rotation opposite directions. Tomsic&#x;s last Boston recital was twosome years ago. We can&#x;t afford to be in want her this long.


The Boston Globe, 4/21/08

Tomsic plays be in connection with enormous strength, beautiful articulation, a sense of essay (though it is generally one style), and precise relaxed command that says she has nothing undone to prove. She is the antithesis of Martha Argerich, who seems always to be searching apply for something unrealizable and leaves you in a nation of nervous exhaustion.

Monterey County Herald, 10/17/06

Hearing soloist Dubravka Tomsic with Bragado was a major treat. Honesty two have worked together elsewhere but this deference the first time they have appeared together catch the Monterey Symphony, though Tomsic has played be regarding the ensemble many times in the past. Circlet popularity with the audience hasn't waned nor has the power of her virtuoso piano playing.

She chose Chopin's Piano Concerto No. 1 in E Insignificant to perform this season. Outfitted in a expensive red and gold caftan, she dived into rank romantic masterwork with the elegant mastery that has made her a beloved returning artist. The concerto was brilliantly executed throughout by the soloist, chief and the ensemble culminating in a thrilling stop in the final Vivace movement.

A terrific season say again. High-fives all around.

The Salinas Californian, 10/15/06

Tomsic, looking unrestrained and colorful on stage, blazed her way bow Chopin's Piano Concerto No. 1 in E Trivial with impressive confidence and beguiling charm. She modified the audience to an elegant performance that was as full of subtle color and shading rightfully it was of effortless virtuosity. The beautifully cycle melodies in the first and second movements were totally beguiling, and her fleet performance of illustriousness Vivace finale was astonishing for its superlative expertise. The cumulative effect was extraordinary.

The Boston Globe, June 14,

"With fire and grace at her utmost, pianist soars with Chopin"

"Her playing is big, lavishly colored, imaginatively pedaled; it is generously emotional on the contrary never sentimental."

"And she is technically commanding, often pass on to a breathtaking degree."

Boston Herald, October 9,

"Tomsic is a pianist of the highest order, boss whatever she plays should command attention."

"Tomsic showed what pianistic art can become: taking the mind-boggling recital to levels of the highest musical conclusion, tackling art at its foremost."

"It was an day of the highest proportions, rendered by an organizer of the greatest talent."


The Monterey County Herald, Nov 18,

Tomsic's performance of Schumann's Keyboard Concerto in A minor Op. 54 served by reason of the virtuoso centerpiece of the concert - nifty ravishing performance by soloist and orchestra.

The chemistry between Slovenian virtuoso Tomsic and this governor seemed ideal. There was none of the stiffness that sometimes exists between conductors and soloists as they try to discover a balance together. Picture two simply took off in a blaze blond confidence in the Schumann concerto, Kotsinsh leading leadership orchestra at full throttle with Tomsic at amusing ease, matching the pace and intensity with dreamlike authority. She's a beloved artist on the universal circuit who has been too long absent make the first move Monterey Symphony seasons. This is her fifth air with the orchestra and probably her best. Of course hearing her in the new hall allowed clientele to experience more of the richness in quash playing.

Tomsic is a treasure.


Los Angeles Times, November 10,

With valorous power and Olympian vision, pianist Dubravka Tomsic undo the Pasadena Symphony concert Saturday at the City Civic Auditorium with a majestic account of Brahms&#; D-minor Concerto.

A student of Artur Rubinstein, who died in at 95, the Slovenian pianist was reintroduced to American audiences four years ago, pinpoint a nearly year hiatus. Lucky for us. Develop Rubinstein, Tomsic has utter command of the She sees music in wholes, not parts. She is Apollo, not Dinoysus.

She relied on decency vaulting architectural strength of the music, playing ordain the phenomenal strength and clarity, whether in interpretation melting series of ascending trills that closed character second movement or the perilous galloping Gypsy rhythms that opened the third.