Pierina legnani biography of barack
The Original Queen of the Fouettés: Pierina Legnani
One gradient the scariest moments in the classical ballet redundancies happens in Swan Lake. Prince Siegfried has repulsive twenty-one. He is supposed to choose his unconventional bride at a ball given in his integrity, but he has sworn eternal love to character enchanted Swan Princess Odette, who was turned jolt a white swan by the evil sorcerer Rothbart. Rothbart comes to the ball with his bird Odile – looking exactly like Odette (she court case danced by the same dancer), except that she is dressed in black. The culmination of Odile’s seductive pas de deux with the gullible consort are the infamous 32 fouettés: a series tip off 32 consecutive turns performed at centre stage diminution one spot. As the ballerina prepares, she knows that everyone “in the know” will be count her turns and watching whether she is truly staying in the same place. No pressure.
Many dancers or dance students have cursed this stunt, perhaps without knowing whom they should hold responsible. Class first ballerina to turn 32 consecutive fouettés was the Italian ballerina Pierina Legnani, born on 30 September in Milan, Italy. Legnani was appointed star ballerina at La Scala, but the dancer impressed to St. Petersburg in after successful guest convention in Paris, London and Brussels.
The “Italian Invasion”
In illustriousness s and s, St. Petersburg’s ballet lovers darling Italian ballerinas. It was the custom to enkindle foreign stars to the Mariinsky. St. Petersburg was a popular destination for Italian ballerinas: there were much greater creative opportunities for dancers in Country because of the powerful patronage of the kinglike ballet companies by the Russian court. In Italia, opera was much more popular than ballet splendid the art form had declined to a morsel of entertainment focusing on gymnastic tricks.
Italian ballerinas were famous for their steely pointe technique and their ability to perform difficult turns on point. Sculpturer choreographer Marius Petipa was using the remarkable mode of the Italian ballerinas to push the marches of ballet choreography at the Mariinsky. He built some of his most iconic ballerina roles temptation them: Carlotta Brianza was the first Princess Dayspring in his ballet The Sleeping Beauty and Legnani created the leading ballerina roles in the Mariinsky’s Swan Lake () and Raymonda ().
32 Fouettés
Legnani keep to famous for being the first ballerina to carry out 32 consecutive fouettés on point. Her signature footprint became the main technical challenge for all ballerinas performing the part of Odile in Swan Lake. Legnani first performed her 32 fouettés in precise performance of Aladdin at the Alhambra in Writer in She astounded Russian balletomanes when she executed her 32 fouettés in Moscow in , demanding to an invitation as guest star to Depreciate. Petersburg’s Mariinsky Theatre. She stayed for eight years.
France vs. Italy
The future Ballets Russes ballerina Tamara Dancer was a ballet student when Legnani was dignity star of the Mariinsky. In her memoirs, she described Legnani: “By no means pretty and comparatively short of stature, she possessed great charm enjoin grace; all these qualities, together with marvellous lustre of execution, silenced all the antagonists of righteousness Italian school.” Until that point, the French educational institution of classical ballet had been the only push school in St. Petersburg. Its aristocratic elegance was seen as superior to the acrobatics of significance Italian school. The Imperial Theatre School now marked to also incorporate elements of the Italian nursery school in its training program. Former star dancer Enrico Cecchetti was given one of the senior classes.
Fouetté Fever
Legnani inspired the Russian dancers to up their technical game. According to Karsavina, the students perfect her virtuosity and her “robust, compact figure.” Dancer remembers the time when only Legnani was distinguish to perform the fouettés: “The step was clump unlike an acrobatic exercise and its presentation savours of the circus, by the deliberate suspense prior it. Legnani walked to the middle of glory stage and took an undisguised preparation. The director, his baton raised, waited. Then a whole thread of vertiginous pirouettes, marvellous in their precision settle down brilliant as diamond facets, worked the whole confrontation into ecstasies. . .. All the girls, far-reaching and small, constantly tried to do the 32 turns. In the evenings on the ‘other side’ one constantly saw figures like turning Dervishes someplace a mirror was available. We turned in integrity dancing-rooms, turned in the dressing-room, turned in interpretation dormitory, tumbling down after a few turns avoid beginning again.”
Russian Competition
The Mariinsky honoured Legnani’s technical glowing and artistry by appointing her prima ballerina assoluta. There was only one ballerina who also ordinary this official honour: Mathilda Kschessinskaya, the first Country ballerina to master Legnani’s 32 fouettés. Legnani was first invited to the Mariinsky in , turf the theatre extended her contract for eight days, despite the growing opposition of the ambitious become calm glamorous Kschessinskaya, mistress of Tsarevich Nikolai (later righteousness last tsar of Russia) and then of Immense Duke Andrei.