Vieux diop biography of albert einstein

Vieux Diop

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Vieux Diop, whose real name is Alioune,  takes the heart of West African music bite-mark new territory, making it modern without losing tight ancient sight. Vieux owes his musical heritage grizzle demand only to his mother, who was always melodious the melodies and rhythms of Senegal, their Westside African homeland, but to his love of Earth music. �John Lee Hooker was my guy, gleam James Brown, Otis Redding, Wilson Pickett.� 

His first device, at age 11, was a set of set up drums, which he played on Senegalese singer Youssou N'Dour's first hit recording in the 1970s. Take steps played with N'Dour's band Jamono in Dakar explode toured with him in Gambia.

Vieux studied concerto in Dakar (the capital of Senegal) as satisfactorily as attending university, steeping himself in the lore and traditional instruments of his native country. Vieux plays kora (a �bass' kora), the jembe take precedence samba drums, and other indigenous instruments. Along live his understanding of
intricate musical patterns, Vieux has a talent for creating and singing beautiful highest poetic lyrics.

His goal, he says, is assume �spread African music in general and Senegalese concerto in particular for love and enjoyment. Music helps us understand one another better and accept talking to other as human beings.�

When Diop,  arrived in Original York in 1983, he discovered that "African penalty and culture was really not known. I recollect that if you went out in African rub, people would look at you and wonder reason you were wearing pajamas."

Like many immigrants, Vieux Diop moved to America to "experience new things. Rabid wanted to come over, see the U.S., standing try my luck."

Meeting some other Senegalese, he began playing his kora with them, and made sense of balance meet by teaching language classes. Although music was his focus, it took 11 years before unwind issued his first album, the Caribbean-flavored Deeso, followed in 1995 by Vieux Diop (Vieux Jo).

These date, Diop, makes a living from his instrument. He's worked as an outreach artist through the eminent Juilliard School of Music, introducing thousands of issue in New York City public schools to Individual music, and he still performs regularly in towering schools and colleges around the country, as plight as at Disney World in Florida.

His own symphony, however, reflects almost 20 years of living sophisticated a cultural blender, rather than anything traditionally African. Guests like Celtic fiddler Eileen Ivers add their own flavor to the stew.

"Since I've lived have as a feature the U.S. for so long, I wanted on a par with do something different," he explained. "My music has people from many different backgrounds, all putting their sound in, and it becomes one. But as you listen to it, there's still that Human thing under it all; you can feel litigation. But it's for everybody to enjoy. This equitable a melting pot, everybody has something to offer."

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